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Author Topic: Red festival  (Read 17874 times)
tonyd
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« Reply #15 on: May 20, 2008, 09:55:50 am »

Bit more info here http://www.myspace.com/redlandpromotions  http://www.myspace.com/theredfestival
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Redland
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« Reply #16 on: May 21, 2008, 12:55:37 am »

Ah, it looks like there are some issues that need addressing here!

OK so in order of query...

I'm Sam, I run this event and the promotions company Redland Promotions. One of our events is The Red Festival. You can get more info on us at www.myspace.com/redlandpromotions or www.myspace.com/theredfestival .

We will need a decent PA yes but we have spent years perfecting this event in various cities and know exactly how much we can spend on expenses like that based on the venue hire fee, the ticket price and how many bands are playing. We pay for everything, the risk is on our shoulders, we pay the bands, we pay for the venue. We have our own engineers. I wouldn't worry about costs, that is for us to work out. All you have to do is turn up and play!

Tickets are £5. There are 48 bands booked for this event, so paying customers pay around 10p to see each band. This is an ongoing event and once you play or attend it you will see how much fun it is. We use decent venues because we want to give bands the chance to play at bigger places. Of course we could not afford to put any local band on there, unless there was a considerable amount of bands playing. So in answer to the question "what happens if you don't sell any"? ... Short answer is, nothing. BUT we will not rebook bands that do not have a good work ethic and it's not often in a young bands career that the chance arrises to play to this amount of people.

We ask bands to work with us, sell the tickets and create a decent event. I cannot see why a band would not work hard to sell their tickets, unless they were happy playing to an empty room.

We are not ripping off local bands - if you don't like the deal we have offered then you're free to not play. If you're feel you're big enough to turn down this gig then that is fine.

And yes, you are right, in order to recoup the high costs involved with this, we need bands who will bring people, ie with lots of local fans / friends. That is just commen sense. There is however, little to no chance you'll be playing to noone, and from our experience we exceed capacity with people coming and going all day.

The comment that you might sell the tickets for a fiver and then run away with the money makes no sense at all. What band would rip off their own fans? In order to police this, we ask for the money BEFORE the band plays. And of course, if you did decide to do that it would be stealing and I'm sure I don't need to go down that explanatory route!

We are not cashing in on local bands who dont get the chance to play venues like The Empire, we are providing an oportunity for bands to play venues like The Empire.

The deal with the tickets is as follows: bands are expected to sell 25(ish) tickets, we pay the bands back £1 for each ticket sold. That means we make £4 from each ticket. If each band sells 25 tickets our income is £4,800. If you were to do your research, that barely covers our costs. With venue hire fee of litterally thousands, staffing costs, equipment hire costs, travel costs. WE DO NOT MAKE A LOT OF MONEY FROM THESE SHOWS. They are set up to provide bands with an oportunity to play to big crowds, in decent venues.

Things are not done by how many MySpace friends a band has. Slots are booked up as and when a band is contacted. Later slots are reserved for bands we feel deserve them more, based on their music. The booking begins 3/4 of the way up the times and we work backwards. It has nothing to do with MySpace.

We are not a charity, we are a UK promotions company, and we do not work for nothing!

I'm sorry if it's been unclear as to who's running it. We have contacted the majority of the bands via MySpace, so we thought it would have been quite clear.

Agreed, some of The Barfly's are 'horrible places', but a few of them have multiple stages, with decent capacity rooms - that is what we're looking for in a venue (although they are generally over priced in terms of hirefee!).

Yes, everyone's getting paid (unless you don't sell the tickets we've asked of you - then we litterally cannot afford to pay bands). This will all be in your contract which is just 1 page long and simply says "we will pay you X amount once X amount of tickets have been sold". There's no jargon, no fancy worded clauses. There is some stuff about respecting the venue and the majority of it is details of what time we expect you to arrive, set up and play.

The event probably is 'wierd' at first glance. The reason noone runs events like this is because it takes a team of 11 of us, working day in day out to make things happen, with a lot of risk. It has taken us years of hard work to get to a stage where we can confidently run events like this. Many freelance promoters quit or join a larger company because the income is generally bad. We however have paddled through even loss to get to this stage. That is why you do not see events like this. HOWEVER you are missing the point that this is a festival! If you exclude all the things you cannot do in doors (like camp!!) then we have the basics of a festival - several stages, full of bands. The difference with this is, they are local bands, not established bands which means YOU get a chance to play it.

Lets look at the costing for a massive festival with 100,000 attendeed all paying £150 to go. That is a gross income of £15million . You pay an avarage established band around £15,000 to play. There is on avarage around 50 bands who will be paid that kind of money, that is a total of £750,000 cost for bands. At a large festival the costs of fences, toilets and all other neccaseries are covered by fast food vans and fairs renting space with you. Staffing is paid for by you and is around £12 per hour for 1 staff per 75 people which equals 2000 staff each working around 50 hours which equals £1.2million. Staging and PA has a total cost of around £600,000 per day for 3 stages. Sound engineers are brought in by the bands. So such a festival would take home net profi of £11.25million,

However, we, making a few hundred measley pounds on a local gig, are the ones who are ripping people off? We would have hoped that bands would sell their tickets in earnest in order to create a really decent event which they are a part of, rather than complain they aren't getting paid enough.

If you wanna know any more, you can contact me personally on 07841700619, email me on sam@red-land.co.uk or feel free to add me on MSN Messenger, again using - sam@red-land.co.uk

I hope that's answered your questions! We are not a money grabbing business machine. We are a promotions company, ran by a team of just 11 people and we have done something a bit different giving bands a chance to play a big festival type show. Feel free to give me a shout any time! Sean is booking Middlesbrough so if you have questions about the stages, etc please direct them to him - sean@redfestival.co.uk .

Cheers!

Sam
Redland Promotions
www.red-land.co.uk
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Robbie.
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« Reply #17 on: May 21, 2008, 03:26:13 am »

people like weam have been doing this for years.

simple, bring loads of local bands in, make them bring their mates and you have money.

and do you mean you are putting on 48 bands in the empire?!

is the relation to the well known charity "red" coincidental?
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Redland
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« Reply #18 on: May 21, 2008, 11:20:37 am »

Yes there are 3 rooms in the empire, we are using all of them. 16 bands on a stage, 30 minute set each.

And yes, bring loads of bands in, make them bring their mates and you have money - money enough to cover the cost of venuehire and you've been able to give a band a chance to play a decent event.

We are nothing to do with a charity. We are a promotions company started by just myself 3.5 years ago, now a larger team running bigger (and more) events, UK-wide. Perhaps if you do your research (i.e. www.myspace.com/redlandpromotions) you will see this.

I think what you are forgetting is that it takes months to organise a show like this. These shows are good! The crowds are big, the atmosphere is great. I simply cannot see the problem with it! Yes it makes money, but without the money we would not be able to work for months organising it and others alike. The gig is a great chance for exposure and I persoanlly work for about half of minimum wage in order to provide these shows because I love doing it.

I still can't believe people are disgruntled or have aprehensions about it. When I was in a band, we would have killed for an oportunity like this. Especially as, when doing the maths, we make very little money compared to the amount we pay out to bands and the venue.

I can't check this forum regularily so please feel free to give me a call - 07841700619, I'm happy to answer anyones questions, but much easier to do so over the phone.

Sam
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« Reply #19 on: May 21, 2008, 11:28:55 am »


I still can't believe people are disgruntled or have aprehensions about it. When I was in a band, we would have killed for an oportunity like this. Especially as, when doing the maths, we make very little money compared to the amount we pay out to bands and the venue.


I think your posts have probably put a few people at ease. The problem is that many of us here have had the displeasure of playing gigs with a similar setup where band just end up getting ripped off.

I know from my own experience that as soon as I hear about bands pay being related to number of tickets sold, and line-ups based on strange stats like number of myspace friends, or number of tickets sold by the band, it sets off alarm bells in my head. I've played some shockers before and would be apprehensive to play any again.

You seem to have a reasonable setup going on here though so I guess the concerns aren't really justified. That and I'm not playing anyway. Just wanted to explain why some people are wary of this one.
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Redland
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« Reply #20 on: May 21, 2008, 11:39:00 am »

Ah I see!

Pay can generally only be based on amount of tickets sold. We used to door a door split, meaning bands would each get an equal amount BUT why should a band who has not bothered to work hard and sell any tickets get paid the same as aband who has pushed for months and months and sold 200 tickets?! It's the only really fair way of doing it. Although, door splits are a good way with smaller shows.

When we book bands, we have a spreadsheet with all the times in and 'TBC' written next to each time. We start 3/4 of the way up the list so the first band contacted will maybe be offered an 8:30pm slot, the next band contacted will be offered a 7:50pm slot, etc, untill the bottom is reached. Headliners and the very highest slots are booked at the disgression of (in this case) Sean, who, in my opinion, does a great job of putting the right bands in the right places! MySpace friends mean nothing as the band could have added thousands of people, in just one day!

The other great thing about these events is that they are easy to promote. Generally, you cannot promote an unestablished band because noone knows who they are, threfore noone cares. BUT you can promote an event like this because at just £5 it is desirable. So that's where the extra numbers come from, and why it is a fantanstic chance for exposure.

If you can make it to Liverpool for 25th May (this Sunday) - we have the same situation going on. I'll guest list anyone who wants it and you can come have a look see what it's all like! Doors 12midday.

Sam
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Kingers
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« Reply #21 on: May 21, 2008, 12:50:50 pm »

Fair play to you for answering all those questions.

Is there anywhere to see the line up for this? 48 bands in one venue in one day sounds kinda mental. 48 drummers, 96 fucking guitarists, 48 lead vocalists! Yikes.
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Redland
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« Reply #22 on: May 21, 2008, 12:54:48 pm »

Yeah sure! We're working on our brand new web site www.redfestival.co.uk. Will probably be a couple weeks before everything is uploaded but when it's done all the lineups will be added for all the gigs.

I'll probably post here when it's up and running!

Sam
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[Simon]
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« Reply #23 on: May 21, 2008, 03:41:09 pm »

That was a pretty damn good explanation! Cheers!

However, this:
"Things are not done by how many MySpace friends a band has. Slots are booked up as and when a band is contacted. Later slots are reserved for bands we feel deserve them more, based on their music. The booking begins 3/4 of the way up the times and we work backwards. It has nothing to do with MySpace."

If that is true, then how come my band are playing above many well established bands, when we haven't even got a whole set sorted as of now. (Not that I'm complaining, I just find it a bit strange)

I know you have sort of answered the question on band slots, but I'm just a little baffled by the move.
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Redland
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« Reply #24 on: May 21, 2008, 04:04:40 pm »

Yeah, that's true. We definately don't base bands positioning on their myspace friends or anything like that. We contact bands as and when we find them, and we offer spaces starting from near the top and working earlier, which means that we might contact a very new band first and they would get an 8pm ish slot, and then then next band we contact (regardless of how established they are) would get the next slot down, and then the next band we find and contact we would offer the next slot down to.

Sometimes it works out like that, and sometimes we make mistakes too as we're not perfect!! If a band feels theyre on too early they can definately contact us and tell us why they'd like to be moved. 99% of the time we'll put a band where they want to go if they have a good reason.

I do agree though, the situation you're in is a bit wierd! Maybe we've made a mistake? I'll look into exactly how Middlesbrough is being booked. Although Sean has a lot of experience and I trust him to put the right bands in the right places.

Another thing that has just come to mind is, the genres have to match, ie the gig has to flow. If you're a bit heavier than the more established bands you're talking about, chances are you will get a later slot.

Not sure I've answered that question very well, but sure you can kinda see how it works!

Sam
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thunder_groove
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« Reply #25 on: May 21, 2008, 04:20:52 pm »

That makes much sense and the ideals behind it are honorable.

Looking forward to it Smile
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[Simon]
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« Reply #26 on: May 21, 2008, 04:43:31 pm »

That makes sense, a bit of a strange way to do it, but if it's working then who's to argue!
Anyway, I look forward to playing it, and hope it's a sucess!
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Joshua James
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« Reply #27 on: May 21, 2008, 04:53:22 pm »

bets on that mr thunder groove works for red too  Kiss
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« Reply #28 on: May 21, 2008, 04:57:05 pm »

it might be sean

anyway i have been given the opening slot on there
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Redland
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« Reply #29 on: May 21, 2008, 05:14:34 pm »

Haha! Thundergroove is definately not Sean, or any Redlandee!

Wolverine, are you James who we've been speaking to on MSN? Music's well cool mate!

Sam
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